– Extracts from a Sydney Morning Herald article first published 31 March 2025, written by Julie Power
Luigi Rosselli’s new homes often feature rammed earth: a sustainable material affordable only for those with the time to build them, deep pockets to cover the costs, or both.
Now the Sydney architect is experimenting with another highly sustainable material on a row of four terraces in Bondi Junction with walls that go up “like a Lego kit”.
Designed as a low-cost version of a terrace, the homes use prefabricated cross-laminated timber (CLT) made from layers of wood stuck together to shrink construction time from “one-and-a-half years [conventional build] to just six months.”
For Rosselli, the build-to-rent project called “CLT with TLC” is a carefully documented experiment to see what can be done with speed and economy to mitigate the housing crisis, increase density and reduce carbon associated with building projects. (He added that the homes would also provide him with retirement income – the project, which provides much needed stable rental accommodation, was conceived and entirely funded by Rosselli himself).
The [2025] federal budget included $54 million to accelerate uptake of modern construction methods that are faster and more efficient housing solutions which reduce carbon.
When Rosselli posted a time-lapse video on Instagram showing the 80-metre square terraces going up on the site of a single-storey home, more than 900 people responded. “Wonderful to see an architect who is usually associated with the highest end of bespoke residential architecture tackling a project like this,” one commenter said.
Using CLT allowed a plan to be rapidly duplicated, Rosselli said, making it ideal for rapid construction of low-to-medium-density housing.
The engineered wood was more expensive than traditional studwork, but it was faster and saved money elsewhere in the build.
“The building industry is slow, and it’s getting slower,” he said. “I’ve worked for 40 years in Australia, we used to build a house in nine-twelve months maximum. Then it was one year and a half. Now it’s two years.” This wasn’t the fault of workers, Rosselli said, but increasingly complex regulations, qualification requirements and management of risk and liabilities that often required one trade to finish before another could start.
Responding to comments on Instagram, Rosselli said “the big difference in time and accuracy. [It is] six months for the whole project including some traditional trades [such] as tilers and windows. This is more than 50-70 per cent of a standard building site duration. Therefore, substantial reduction of overheads [such] as foreman, insurance, scaffolding and other expensive overheads. Precision is also helping on ordering every out of site item in advance without risk [of] not fitting.”
It was the practice’s first time using CLT “And I must say, it won’t be the last. It’s a really wonderful material. It’s so precise the way they manufacture cross-laminated timber panels.” His practice was tracking costs and the project’s impact on the environment. The manufacturer, XLAM, estimates that the use of 173 cubic metres of CLT, made from pine grown in Australian plantations, would store 80.63 tonnes of CO2-eq (carbon) – the same environmental impact as taking sixty cars of the roads for a year.
Architect and sustainability expert Caroline Pidcock said it was “absolutely critical” that designers such as Rosselli led the way with beautiful and sustainable builds. “There is real responsibility because architects look up to them, the press does, and clients do too.”
Rosselli has spent his career trying to educate his clients, many at the upper end of wealth in Australia, on the benefits of using recycled materials.
“The impact that I can have with them is sometimes 10 or 12 times that of a small project,” he said.
“If a can convince a millionaire, a billionaire, to reuse an existing building… it has greater impact. We’ve been quite missionary in trying to convince clients to use rammed earth, which has a very low CO2 component.”
Monash University professor of practice Karl-Heinz Weiss introduced CLT to the UK market in early 2000 and has been involved in more than 150 projects. Weiss said unlike concrete, which produces carbon, CLT is made from timber that stores carbon, and was the only sustainable and renewable building material that can be used as scale. The longest panels were about 3.3 metres by 16 metres. “That gives you speed of assembly because you are not having a lot of little pieces” he said.
Australia had two factories producing CLT, and others manufacturing glue-laminated beams and components.
Weiss said CLT was typically most suitable for projects from four storeys upwards. Larger projects using CLT, such as the 180-metre Atlassian headquarters, needed concrete and steel for stability.
Based on the use of 173 cubic metres of CLT, the project stores approximately 80.63 metric tonnes of CO2 that would otherwise be in the atmosphere.
Based on the growth rate of Australian plantations alone, it would take just 29 minutes to regrow the 173 cubic metre volume of CLT timber used in the project, providing a carbon reduction equivalent to taking 60 cars per year off the road.
Efficient floor plans result in just 2m2 of circulation space per property.
Bricks recycled from the demolition of the house that previously occupied the site were used to construct the brise soleil screens to the front façade of the terraces, and for exterior paving.
The roofs are tiled with terracotta tiles, whose manufacturing process is lower in emissions than that of metal roofing.
Hot water is provided via heat pump hot water units, which are [up to] seven times more efficient than standard electric hot water units.
Four 3000 litre water retention tanks provide water recycling.
The earth wool insulation installed is made from 80% recycled materials.
The lime render finishes have a lower carbon footprint than standard paint or stain finishes.
Carpets are of natural wool, with an underlay made entirely from recycled materials.
Two sickly trees were removed to make way for the development, and replaced by five native Eumundi quandong trees, that will attract both nectar-feeding and seed-eating birds.
One glaring omission from this list of sustainable features is solar panels. This was not an intentional decision made by Luigi Rosselli Architects, rather it was a condition of consent imposed by Council in their approval of the development application that the panels proposed were removed! They were asked to reconsider this condition but, bafflingly, they refused!
Design Architect: Luigi Rosselli
Project Architect: Nicola Ghirardi
Builder: Layden Projects
CLT Manufacturer: XLAM
CLT Installer: CWC – Joseph Moser
CLT Wash Finish: CLT Coatings Australia
Landscape Design: Michael Bates, Bates Landscape
Landscaping Installer: Outdoor Dreams
Joinery: Idle Mind Production
Roof Tile Supplier: Bristle Roofing
Tile Supply: Bisanna Tiles
Carpet Supply and Installation: Carpet Court
Photographer: Prue Ruscoe
Rose Terraces features pale rendered volumes and lattice apertures that mask its inventive structural framework, offering enhanced privacy, natural ventilation, and rapid assembly.
© Prue Ruscoe
Bricks salvaged from the original residence have been repurposed into brise-soleil screens lining the street elevation. These intricately patterned masonry walls filter natural daylight, casting ever-changing play of light and shadow throughout the space.
© Prue Ruscoe
A sequence of rectilinear terraces expresses the efficiency of prefabricated CLT construction. Lime-rendered facades and geometric apertures establish rhythm while adapting urban density to the suburban streetscape.
© Prue Ruscoe
Chosen for their long-lasting strength and low-carbon production process, terracotta tiles top the CLT frames. Recessed balconies paired with lattice screening manage natural light and airflow, seamlessly uniting classical and modern elements.
© Prue Ruscoe
Despite an 80 sqm, each terrace achieves generous living through efficient planning. Circulation is minimised to maximise usable space without compromising amenity.
© Prue Ruscoe
The pale rendered facades are thoughtfully balanced by recycled brick paving and soft landscaping, which soften prefabrication's precision with welcoming warmth and a gentle domestic scale.
© Prue Ruscoe
Positioned behind latticed brick screens that enliven the upper elevations and filter daylight, XLAM CLT panels deliver rapid construction alongside exceptional durability and airtightness.
© Prue Ruscoe
Ground-level entries combine recycled materials with integrated landscaping to soften the terraces within their suburban context. Brickwork contrasts with the engineered timber superstructure, uniting tactile and technical qualities.
© Prue Ruscoe
A latticed white masonry wall punctuated by square apertures balances enclosure and openness. It promotes ventilation and integrates planting while functioning as both shading device and sculptural element.
© Prue Ruscoe
Delicate balustrade details harmonise strength and ornamentation, complementing the softly hued facades structured by spiral columns.
© Prue Ruscoe
Serving as both functional circulation pathways and central architectural features, the sculptural spiral staircases showcase sweeping curves that seamlessly capture and bounce natural light throughout the home.
© Prue Ruscoe
Internal staircases are enclosed by plaster walls and subtle mouldings, highlighting geometry and proportion to elevate the artisanal character of the ascent.
© Prue Ruscoe
Positioned against plaster and timber finishes, the staircase emphasises tactile materiality, where balanced proportions deliver both precision and spatial harmony.
© Prue Ruscoe
The white spiral staircase, featuring delicate balustrades, imparts a sense of lightness while preserving architectural definition. The integration of CLT panels provides a seamless transition between the structural frame and internal finishes.
© Prue Ruscoe
Daylight filters through stairwells, illuminating plaster surfaces and refined balustrade details.
© Prue Ruscoe
An informal nook integrates stairs with a counter and seating, merging circulation and utility.
© Prue Ruscoe
Rich, warm timber joinery in the kitchen pairs with a straightforward dining arrangement to highlight both everyday utility and shared living.
© Prue Ruscoe
Defined by minimalist detailing and crisp white cabinetry, the kitchen offers a serene, modern atmosphere.
© Prue Ruscoe
A simple ceramic vase holding a branch creates a serene focus point in the kitchen space. Tiled finishes are balanced against practical, streamlined cabinetry.
© Prue Ruscoe
A bright kitchen anchored by cabinetry and generous countertops balances utility with refinement. Natural light reinforces the sense of welcome, while a simple stool introduces adaptability for family living.
© Prue Ruscoe
Bespoke joinery and abundant daylight unite in this serene reading nook, offering a quiet sanctuary seamlessly built into the efficient layout.
© Prue Ruscoe
Furniture and artwork personalise the restrained interior palette. Black chairs and paintings act as counterpoints to neutral cabinetry and flooring.
© Prue Ruscoe
Shelving and decorative art define a flexible storage wall contributing to order and character. Everyday objects are framed with the same care as artwork.
© Prue Ruscoe
A single chair positioned by a window anchors a retreat within the home. The pared-back palette of wall, floor, and light is offset by the humanising presence of furniture.
© Prue Ruscoe
Organised shelving and storage solutions form a functional. welcoming walk-in wardrobe/ The thoughtful pairing of cabinetry and flooring preserves a serene, practical environment.
© Prue Ruscoe
In the bathrooms, tiled surfaces and pared-back vanities create a clean, precise feel. Reflective mirrors expand the sense of space, harmonising intimacy with a welcoming openness.
© Prue Ruscoe
Quiet refinement defines the space through brass tapware and lighting, while the tiled bathroom setting emphasises ritual and reflection.
© Prue Ruscoe